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RED Komodo dynamic range

Looking at the dynamic range results, the RED KOMODO 6K is better than the BMPCC6K, it clocks in at 12.5 stops at SNR = 2 (BMPCC6K: 11.8 stops at SNR = 2). The latitude test of the RED KOMODO 6K shows about 7 stops of latitude, which is a very good result - similar to the full frame Sony a7S III for example, see our lab test here The RED Komodo is RED's latest camera, boasting a small form factor and global shutter, something not seen in other RED cameras. I conducted a full dynamic range camera test with the new RED Komodo Stormtrooper model, from +8/-8 stops in half-stop increments with proper control variables RED KOMODO 6K | Full Dynamic Range Test (Is it really 16 stops???) [Part 1] - YouTube. RED KOMODO 6K | Full Dynamic Range Test (Is it really 16 stops???) [Part 1] Watch later. Share KOMODO ® 19.9 MP Super 35mm Global Shutter CMOS EFFECTIVE PIXELS 6144 x 3240 SENSOR SIZE 27.03 mm x 14.26 mm (Diagonal: 30.56mm) DYNAMIC RANGE 16+ stops MOUNT TYPE: Accepts Canon RF mount-based lens adaptors for diverse lens choice

RED KOMODO 6K Lab Test - Dynamic Range and Latitude Test

  1. Dynamic range and color were very similar. The actual color rendering was a bit different - Conway thinks the Komodo's look with a little more native contrast and saturation is a bit more appealing. It's a very close comparison here, though you can't forget the Komodo is 6K while the C200 is 4K. Also, the raw control RED provides seems to be much more advanced with ways to control all the particular ways things like highlight rolloff looks, which is a huge benefit
  2. Test 1: Full Sensor 24 fps. Both are Super 35mm cameras, though the formats are very different. The C70 offers a 4K All-I codec and the KOMODO records in 6K raw with medium quality for these tests. Matching the exposure between the two and shooting in tough backlit scenes is always a good test
  3. EPIC-D with 9 touch, 4 RAVENs, RPP, Sigma 18-35 PL, Motion Mount, VF/RED-rock wireless FF, Pana 17, JVC 20, Seadicam with SEGWAY, Letus 4-Axis with L'Aigle Exoskeleton. Trash-Can 12-core Max'd-out) +MBP (Retina), RED Rocket (Sonnet), RAID system (Promise Pegasus II), Adobe Production (CC), FCS2, Resolve 12 with MC Color, 50 4K Pane
  4. Admittedly, the RED Komodo is a bit of a peculiar camera. RED Komodo Key Features. 19.9MP Super35 Global Shutter CMOS; Canon RF Lens & ARRI CFast 2.0 Support; 16+ Stops Dynamic Range; Up to 6K40, 5K48, 4K60 & 2K120 Recording; REDCODE RAW HQ/MQ/LQ & Apple ProRes; Integrated 2.9″ 1440 x 1440 Touchscreen; Wireless Control & Preview via Wi-Fi; Price: $5,99
  5. Canon C70 Luts Mentioned in the Video:https://sellfy.com/griffin-conway/p/gc-luts/In this video I compare the Canon C70 vs the Red Komodo. I cover Komodo Ra... I cover Komodo Ra..
  6. Remarkably, even without the resolution advantage, the global shutter Komodo keeps right up to the Helium in terms of dynamic range... which is dare I say a bit revolutionary as far as global shutter sensors go. You can also see Graeme's work really evolving here as the black levels in this 12800/6400iso split show how well behaved the blacks on the Komodo stay black when pushed all the way to the moon. Anyways... just thought I'd share . We still have a few gremlins to still.
  7. The RED KOMODO performs at its best when light is abundant. [vimeo 541908537 w=640 h=360] When it comes to dynamic range, RED states 16+ stops of dynamic range. Our tests didn't show that. Instead, they showed 13+ stops. Our test with the DSC XYLA 21 dynamic range chart shows only 13 stops. Any information outside of 13 stops of light is.

Brian Nguyen » RED Komodo Full Dynamic Range Test - Is it

RED Komodo Key Features. 19.9MP Super35 Global Shutter CMOS; Compact All-in-One Design; Weighs 2.1 lb; Canon RF Mount; 16+ Stops Dynamic Range ; Up to 6K40, 5K48, 4K60 & 2K120 Recording; Price: $5,995; Resolution. The Epic-W wins hands down in sheer image size since it shoots 8K footage and the Komodo only shoots in 6K. However, most clients are just starting to require 4K deliveries for. RED KOMODO VS CANON C200 | Autofocus, Dynamic Range, 4K 60P - YouTube. Watch later. Share. Copy link. Info. Shopping. Tap to unmute. If playback doesn't begin shortly, try restarting your device. dynamic range. 16+ stops mount type. accepts canon rf mount-based lens adaptors for diverse lens choices. supports canon ef with full electronic communication via compatible canon rf mount adapters, and supports mechanically operated rf lenses (electronic control of canon rf lenses not supported at this time) [1] max data rates. up to 280 mb/s using red pro cfast or other qualified cfast 2.0.

RED KOMODO 6K Full Dynamic Range Test (Is it really 16

The Sony FX6 can record 120 fps at 4K and 240 fps at 1080p. The Red Komodo only does 60fps in 4K and 120fps in 2K. Even at 6K, you only get a maximum of 40 fps at the time of this writing. When it comes to codecs the Komodo shows its strengths RED Komodo vs Pocket 6K - Side-by-Side Image Quality Test. RED Komodo vs Pocket 6K - Side-by-Side Image Quality Test. Dave Kratz September 14, 2020 Blog No Comments. Professional cinema cameras just seem to keep getting smaller and smaller, and though neither one of these impressive, high-resolution systems could actually fit in your pocket (unless you, yourself, are a giant), you won't.

shot on red komodo 6k, red gemini 5k, red helium 8kkomodo 6k 17:9 23.976fps r3dcode hqgemini 5k hd 23.976 r3dcode 5:1helium 8k hd 23.976 r3dcode 8:1 komodo a.. Dynamic Range: KOMODO stays true to RED's reputation and heritage of unrivaled dynamic range. Capture every detail from the most cinematic shots. Capture every detail from the most cinematic shots. Flash: The KOMODO 6K sensor isn't phased by quick bursts of light like strobes or lightning Total Captured Dynamic Range: RED has famously received a bit of criticism about the 16+ stops of Dynamic Range of the Dragon sensor, but it's something that I've been able to measure in the past. Let's take a look at ISO 250, 800, 2000, and 6400 REDlogFilm Examples: Remember that's REDlogfilm with no curve applied. On the ISO 250 image. However, the main advantage of the Komodo is its ability to shoot REDCODE RAW with a higher dynamic range than the Canon 1D X. It's more likely that the Komodo will have a significantly higher picture quality that can be matched to cinema cameras on high-end productions. Furthermore, there is the price factor. The RED Komodo will be sold at a significantly lower price than the Canon 1D X.

RED - KOMODO 6K - RED

RED Komodo vs Canon C200 - AF, Dynamic Range, and 4K60p

Millones de productos. Envío gratis con Amazon Prime. Compara precios RED KOMODO 6K Lab Test - Dynamic Range and Latitude Test - UPDATED. Finally we got our hands on a RED KOMODO 6K camera - thanks to AV Professional in Vienna, one of Austria's premier rental places, who loaned it to us. Interested to see how the baby dragon fares in our lab test? Read on EDIT: based on some of your feedback I.

RED KOMODO 6K Lab Test - Dynamic Range and Latitude Test. Finally we got our hands on a RED KOMODO 6K camera - thanks to AV Professional in Vienna, one of Austria's premier rental places, who loaned it to us. Interested to see how the baby dragon fares in our lab test? Read on For quite a while I was eager to get my hands on a RED KOMODO 6K camera, as it features a 6K, slightly. Red Komodo to Alexa LogC LUT: Standard, Standard V2 and Wide Dynamic Range V2 (WDR V2). Post-Production Rec709 LUTs: The Komodo to Alexa LogC conversion combined with the Standard V2 and WDR V2 Rec709 output LUTs above. Created at x65 precision for post-production use. In-Camera/On-Set Rec709 LUTs: Same as above but created at x33 precision for compatibility. Used to preview the transform. KOMODO 19.9 MP Super 35mm Global Shutter CMOS: EFFECTIVE PIXELS: 6144 x 3240: SENSOR SIZE: 27.03 mm x 14.26 mm (Diagonal: 30.56mm) DYNAMIC RANGE: 16+ Stops (claimed) MOUNT TYPE: RF mount Accepts Canon RF mount-based lens adaptors for diverse lens choice NFS: Where does the Komodo sensor fall in comparison to RED's other cine cameras? TD: The Komodo sensor really compares well with the rest of the DSMC2 lineup. A little too well in many cases. I mean, the fact it's just under the same dynamic range is scary good. As you can see in my dynamic range tests, it can often be hard to tell the. dynamic range komodo stays true to red's reputation and heritage of unrivaled dynamic range. capture every detail from the most cinematic shots. flash the komodo 6k sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want. vfx no rolling shutter artifacts means less time fixing footage for camera tracking/match.

Introducing the RED KOMODO 6K – BROADFIELD NEWS

Canon C70 vs RED KOMODO - Dynamic Range, Slow Motion

  1. KOMODO - Recommended R3D Workflow for Blackmagic Design's DaVinci Resolve Configure the Camera RAW RED RAW Profile settings as shown for the simplest working space while maintaining flexibility. All R3D's now added to this project will open accordingly. Consider updating the User Default Config to apply these changes automatically to all future projects as well. If needed, lower the.
  2. The actual usable dynamic range may be much lower. I've seen such flaring from lenses which have poor or no coating (like the Mitakon 25mm f/0.95). In the 3 and 4 stops of overexposure, the RED made the skin look like plastic, from one of the very low quality cameras from 10 years back, with low bitrate and very low dynamic range
  3. KOMODO - Recommended R3D Workflow for Adobe Premiere Pro John November 19, 2020 20:20 Assure that the Directory Viewer has RED selected for the easiest workflow. Footage can either be imported by option-clicking single or multiple selected clips then choosing Import or they can be ingested using Adobe Premiere Pro's Ingest process. RAW SETTINGS. How R3D clips are viewed by default in.
  4. ates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. RED KOMODO 6K Compact Cinema Camera Key Features: 19.9MP Super35 Global Shutter.
  5. The Bye Bye Blue Komodo Komodo DR revealed: 16 stops. Thanks to B&H, we can explore for the first time the formal specs of the RED Komodo. Although the list was pretty clear, there is one interesting parameter that wasn't defined, and I'm talking about the DR (Dynamic Range)
  6. The Komodo is an innovative new camera from RED with a lot of great features in a small (4x4x4) package. In a move to the mainstream, the camera uses standard monitors, media and batteries, instead of the RED proprietary items.. What RED hasn't changed is the beautiful 16+ dynamic range, advanced color science, and the ability to record REDCODE RAW or Apple ProRes footage

The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. RED KOMODO is Available. by Adam Hanlon Wednesday, October 14th, 2020. The RED KOMODO 6K Super35 Digital Cinema Camera is now shipping and available to order. It offers a maximum of 40 fps at 6K and has an RF lens mount. The serial production model is in black, in comparison to the many color and white KOMODOs that have already been released. These are beta and special pre-release versions.

RED KOMODO - FULL DYNAMIC RANGE TEST with Digital Density

10 Best Features of the RED Komodo 4K Shooter

Dynamic Range: KOMODO stays true to RED's reputation and heritage of unrivaled dynamic range. Capture every detail from the most cinematic shots. Flash: The KOMODO 6K sensor isn't phased by quick bursts of light like strobes or lightning. So users never have to compromise getting the shot they want. VFX: No rolling shutter artifacts means less time fixing footage for camera tracking and. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED Komodo 6K hire quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. Revolutionary for RED is the creation of an extremely compact all. dynamic range. komodo stays true to red's reputation and heritage of unrivaled dynamic range. capture every detail from the most cinematic shots. flash. the komodo 6k sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want. vfx. no rolling shutter artifacts means less time fixing footage for camera tracking/match.

Video: CANON C70 VS RED KOMODO Dynamic Range, Slow Motion

Although no official numbers have been released, the dynamic range of the RED Komodo camera is on par with other RED Digital Cinema cameras. A beautiful summer's day out at Catalina Island was the perfect location for the first test dive of the RED Komodo camera , and the new Gates Deep Komodo Housing X3 Marketing just pre-ordered the brand new RED Komodo is RED's newest 6K cinema camera. Increase your production value with cinema camera quality. 6K Resolution and HDR Videos Gives you the BEST Pittsburgh Videography Now we can shoot ultra high resolution medical videos, real estate videos, and more. Allowing more dynamic range than the average camera, the KOMODO allows you to capture both. You can follow the RED Komodo discussion here on the reduser forum, where dynamic range on the Komodo has been indicated to be similar to that of the RED Helium.Which in itself is a great camera. Super Bowl Commercial shot on RED Komodo. Around the Super Bowl, Michael Bay directed a commercial, which was shot on multiple RED cameras, including the Komodo

The RED KOMODO 6K camera is RED Digital Cinema's entry-level camera that features an adaptable RF-style mount and up to 280 Mbps 6K/40p recording to CFast 2.0 media. This version is the special Stormtrooper edition. Key features include: 6K, Super35, 16-stop dynamic range, global shutter, CMOS sensor Frame rates up to 40fps in 6K & 120fps in 2 Talented filmmaker, Joey Helms, just unboxed the new RED Komodo 6K camera, and he has several good reasons why you might want to buy a KOMODO 6K for yourself. He posted a video with his initial reaction to the RED Komodo and got lots of heated response. Now, in reply, he made this half-hour response video to flesh out his earlier review and give viewers a full, highly-detailed analysis as well. The RED Digital Cinema KOMODO 6K Camera - Black Edition is a compact device that features RED's unparalleled image quality, color science, and groundbreaking global shutter sensor technology, all in a small and versatile form factor. The Komodo features a 19.9 MP Super 35mm Global Shutter CMOS, and has 16+ stops of dynamic range. It's RF lens mount accepts Canon RF mount-based lens adaptors. Red Komodo 6K. Compact cinema camera featuring RED's unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. Features/Benefits • Global Shutter without sacrificing image quality or dynamic range • 6K resolution • S35 sensor (27.03mm x 14.26mm) • Full sensor 6K 40 fps, 6K WS @50 fps, 4K @60 fps. RED KOMODO 6K FEATURES: 19.9 MP Super 35mm Global Shutter CMOS (27.03mm x 14.26mm) 16+ stops of dynamic range; 101.6 mm form factor, weighing only 0.95 kgs; Captures 6K at 40 fps, 6K WS at 50 fps, and 4K at 60 fps; An RF mount to leverage adaptors for EF, PL and other lens systems, including anamorphic lense

RED Komodo compact camera now available - Photo Rumors

Komodo Compared to Helium - Dynamic Range (and more

The RED KOMODO 6K camera is RED Digital Cinema's entry-level camera that features an adaptable RF-style mount and up to 280 Mbps 6K/40p recording to CFast 2.0 media. Key features include: 6K, Super35, 16-stop dynamic range, global shutter, CMOS sensor Frame rates up to 40fps in 6K & 120fps in 2K. Powered by hot-swappable Canon BP-9XX batteries (not included RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor. RED Digital Cinema says that its highly anticipated KOMODO 6K comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains RED's high standard of image quality and dynamic range. The camera is packaged in a small 4-cubic-inch (101.6 mm) form factor and weighs only 2.1 pounds. RED DIGITAL CINEMA ®'s new KOMODO™ 6K camera system is now available to order. The highly anticipated KOMODO 6K comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains RED's high standard of image quality and dynamic range. The camera is packaged in a small 4-cubic-inch. It does this while still maintaining a high dynamic range. 6K can be captured at up to 40fps, while a widescreen variation of 6K can be shot at up to 50fps. 4K tops out at 60fps. The camera uses a Canon based RF mount, enabling the system to make use of some of the latest generation lenses that are making their way to market. It also enables the KOMODO to be adapted to a large number of other.

RED Digital Cinema KOMODO 6K review: our honest thoughts

dynamic range: 16+ stops: mount type: accepts canon rf mount-based lens adaptors for diverse lens choices supports canon ef with full electronic communication via compatible canon rf mount adapters, and supports mechanically operated rf lenses (electronic control of canon rf lenses not supported at this time) [1] max data rates: up to 280 mb/s using red pro cfast or other qualified cfast 2.0. RED KOMODO 6K . Submit. 19.9MP Super35 Global Shutter CMOS. Compact All-in-One Design; Weighs 2.1 lb. Canon RF Mount; 16+ Stops Dynamic Range. Up to 6K40, 5K48, 4K60 & 2K120 Recording. REDCODE RAW HQ/MQ/LQ & Apple ProRes. Integrated 2.9 1440 x 1440 Touchscreen. Wireless Control & Preview via Wi-Fi

How Does the RED Komodo Hold Up Against the RED Epic-W

As you'll see in the video we posted above, the Komodo is limited to 40fps in 6k 16:9. In order to get higher frame rates, you'll need to either crop in on your format from 16:9 to, say, 2.4:1, which gets you up to 50fps. 120fps is only accomplished at 1080p. This might not sound like a huge deal until you remember that with RED cameras. A new 6K Super 35 global shutter sensor capable of capturing 16+ stops of dynamic range with no compromise or rolling shutter artefacts. The latest evolution of REDCODE. the most versatile RAW codec in the market, especially optimised for KOMODO. And affordability. RED KOMODO offers all this from a start price of £4950 ex VAT Red's new Komodo 6K camera system is now available to order. The highly anticipated Komodo 6K comes to market after extensive engineering to incorporate production-tested innovations, including a global shutter sensor (27.03mm x 14.26mm) that maintains Red's high standard of image quality and dynamic range

RED KOMODO VS CANON C200 Autofocus, Dynamic Range, 4K

RED Komodo 6K is a great compact cinema camera that can bring RED's famous color science and quality to a wider range of consumers from big-budget filmmakers all the way to internet content creators and YouTubers. Komodo is really compact so it can easily be mounted, either on gimbals and stabilizers or on the surface of a moving car for example. And it is all about versatility. Either you. Red Digital Cinema has announced that its new 6K Komodo camera system is ready for order. According to Red, it comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains RED's high standard of image quality and dynamic range

Key Features 19.9MP Super35 Global Shutter CMOS Compact All-in-One Design; Weighs 2.1 lb Canon RF Mount; 16+ Stops Dynamic Range Up to 6K40, 5K48, 4K60 & 2K120 Recording RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that [ The KOMODO was originally conceived and designed as a crash camera for high-end motion picture use and as a B or C camera for productions using RED's existing DSMC2 line up. Its compact body features a new 6K Super 35 global shutter sensor capable of capturing 16+ stops of dynamic range, RED's IPP2 image pipeline, fantastic colour science and the most versatile RAW codec in the market. Designed to be a workhorse for those on set, it covers over 16 stops in dynamic range, The RED Digital Cinema Komodo 6K camera is now available over on the company's website, retailing for.

RED Komodo 6K Kamera mieten Filmkamera leihen Oberösterreic

The Komodo features a global shutter sensor (27.03mm x 14.26mm) that maintains Red's high standard of image quality and dynamic range. The camera is packaged in a small four-cubic-inch (101.6 mm) form factor and weighs just 2.1 pounds (0.95 kgs). Komodo has turned into quite the beast, says Jarred Land, president of Red Digital Cinema Description. Let's shoot 3D 180° for CINEMATIC VR with TWO RED Komodo 6K! This setup will give you the best dynamic range and picture quality in VR180. But it suffers from larger than normal IPD, which creates Hyperstereo effect. We'll show you real world sample footage in 60FPS (converted using RE:Vision Twixtor) and compared it to the Z. If I had to choose between the red komodo vs the fx6 which would you all recommend and why? They both seem like kickass cameras to me so I really can't decide. Both seem like they're capable of traveling with, but which would be better for capturing cinematic landscape shots, but also have better skin tones and such when filming people (I understand the RED boasts 16 stops of Dynamic Range. RED - KOMODO 6K; RED - KOMODO 6K Description; Features; Specifications; Included DESCRIPTION: Due to high demand this item is on back order and the wait times for this camera are approximately 2 to 3 weeks. Please contact us at 714-374-4944 to secure your place on our wait list. Due to the high popularity of this camera, orders will take roughly 2 to 3 weeks for delivery. FEATURES. RED Komodo. Starting with that impressive shutter, it is officially a 19.9 MP Super 35mm CMOS Global Shutter that is purportedly able to achieve 16+ stops of dynamic range. This kind of shutter is distinctly resistant to issues with rolling shutter artifacts, leading to more pristine footage in fast, tracking scenarios and at higher.

The RED Komodo 6K is one of the brands hottest and newest models in the cinema camera space. Its global shutter sensor makes no sacrifice in dynamic range, making the Komodo 6K a unique offering in the cinema camera landscape. The global shutter sensor renders a very natural feel with handheld footage. With the Komodo, RED combines the brands' legendary image quality and colour science into an. The RED KOMODO ST 6K Limited Edition Camera is a unique release from RED that incorporates their legendary image quality into a form factor that is more all-in-one and portable than prior models. Here are the standout features of this 6K professional system: • 19.9MP Super 35mm global shutter sensor for crisp footage without motion artifacts up to 6K. • Robust REDCODE RAW format as well as. RED DIGITAL CINEMA ®'s new KOMODO™ 6K camera system is now available to order. The highly anticipated KOMODO 6K comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains RED's high standard of image quality and dynamic range. The camera is packaged in a small 4-cubic-inch.

RED Komodo VS ZCam E2-S6 Dynamic Range - YouTub

Red Komodo or G2. Wed May 20, 2020 10:12 pm. I've never owned a RED, although I've rented and used a few of them. The Komodo is tempting and in the price range of $5K to $7K, it's in that UMP G2 and C200 market price. With 6K, it sure will bring attention with BMD and Cannon a run for their money In line with other RED cameras, the dynamic range (16+ stops) in the KOMODO 6K is impeccable and preserves details in the darkest areas and brightest areas — users are free to shoot in varying light settings at Jul 27, 2019 · RED is countering the tales of its smartphone camera woes with something more exciting if also cryptic. For RED Cameras (55) RED Komodo (44) RED DSMC2 (12) For Sigma. The Red Komodo 6K camera features exceptional image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor. Kit includes: 3x 512GB Cfast Cards Blackjack USB-C Card Reader Kipper Tie PL Mount Small Rig Nato Rail Top Han. The Red Komodo 6K camera features exceptional image quality, color science, and groundbreaking global. RED DIGITAL CINEMA®'s new KOMODO™ 6K camera system is now available to order. The highly anticipated KOMODO 6K comes to market after extensive engineering to incorporate production-tested innovations, including a breakthrough global shutter sensor (27.03mm x 14.26mm) that maintains RED's high standard of image quality and dynamic range

Canon C70 vs RED KOMODO – Dynamic Range, Slow MotionRED KOMODO 6K S35 Released - Film and Digital TimesFilmRental Red Komodo 6K Camera - Milano - MediaMaking

RED has taken fresh steps with the release of the KOMODO 6K Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4. Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super 35mm CMOS sensor which boasts Global Shutter technology RED KOMODO provides impressive image quality and color science without sacrifacing any dynamic range. The compact and full-featured cinema camera realizes flexible shooting in a small space, and. 16+ Stops Dynamic Range; REDCODE RAW HQ/MQ/LQ & Apple ProRes Aluminum Alloy Material Construction; 2.9 (1440 x 1440) Touchscreen; Kit includes expander module, outrigger handle, wing grip, RF to EF adapter, ND filter, 512GB card, reader, Ptap-to-power cable & timecode cable ; Show More. RED KOMODO 6K Camera Production Pack. $10,099. 19.9 MP Super 35mm Global Shutter CMOS; Canon RF Standard. The Komodo 6K is now available for $5,995 from the company's website and RED dealers like B&H. Looking at the dynamic range results, the RED KOMODO 6K is better than the BMPCC6K, it clocks in at 12.5 stops at SNR = 2 (BMPCC6K: 11.8 stops at SNR = 2). The latitude test of the RED KOMODO 6K shows about 7 stops of latitude, which is a very good.

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